The Devil Wears Prada 2 opens alongside indie horror Hokum and French drama Wild Foxes
Going out: Cinema The Devil Wears Prada 2 is out now. Sequels, for spring? Groundbreaking. OK, but this just happens to be one of the most anticipated sequels of the last decade, with Meryl Streep, Anne Hathaway and Emily Blunt returning to their respective roles of high-fashion supervillain Miranda Priestly, journalist Andy Sachs and type-A nightmare Emily Charlton.
Hokum is out now. Adam Scott (Severance) stars in this Irish-set haunted-house horror about a man whose journey to spread his parents’ ashes involves some unexpectedly spooky twists and turns. Irish former electrician Damian McCarthy writes and directs his first Hollywood feature after a couple of lower-budget homegrown hits.
Wild Foxes is out now. Valéry Carnoy directs this French coming-of-age drama which premiered at Cannes last year to prize-winning effect. Set at a sport-focused boarding school, it concerns the aftermath of a near fatal accident for young boxer Camille (Samuel Kircher) who is rescued by his best friend, Matteo (Faycal Anaflous).
That Time I Got Reincarnated As a Slime: Tears of the Azure Sea is out now. A beach vacation at a private resort is disrupted by Yura, an underseas priestess who is after some help in dealing with the potential awakening of a dormant Aqua Dragon. This adventure bridges the gap between the third and fourth series of the popular animated Japanese TV show.
Going out: Gigs Tsatsamis plays Manchester on 2 May and London on 8 May. The London-based artist and producer released his mixtape Tsycophant last month and showcases its lithe electropop on this mini tour. Keep an ear out for the pensive, George Michael-esque Secret Boyfriend and the sweaty strut of Angelina, which sounds like Hurts wrestling with Years & Years.
Tame Impala tour from 7 to 13 May, starting in London. Kevin Parker tours his psych-pop outfit around arenas in support of last year’s Deadbeat album. Perfect timing, given that the album’s third single, Dracula, has gone viral on TikTok and has nestled itself in the upper echelons of charts worldwide thanks to a remix with Blackpink’s Jennie.
Courtney Pine plays Cheltenham Town Hall on 3 May and Ronnie Scott’s, London, on 7 & 8 May. Four decades ago, this sax-playing descendent of the Windrush generation helped spark a revolution across the 1980s UK jazz scene and way beyond. Pine’s Out of the Ghetto: A Modern Day Jazz Story tour celebrates the vision that fuelled a new sound, and a still-growing new audience.
The Tectonics festival takes place at City Halls and Old Fruitmarket, Glasgow, on 2 & 3 May. Tectonics is an annual feast for the ears, showcasing composers and performers working at classical music’s cutting edge. Virtuoso tuba playing from Danielle Price and Frédéric Le Junter’s experimental sound machines are among this year’s major premieres.
Going out: Art Aleksandra Kasuba opens at Tate St Ives on 2 May and runs to 4 October. Long before immersive art was even really a thing, Lithuanian American artist Aleksandra Kasuba was creating “spatial environments” for viewers to inhabit. This St Ives show – the first of her work in the UK – will feature early paintings and mosaics alongside proto-immersive installations all about utopian ideals of social harmony and communal living.
Zurbarán opens at the National Gallery, London, on 2 May and runs to 23 August. Gazing saints, bowls of lemons, loads of magi and a circumcision: the so-called Spanish Caravaggio took on a huge variety of subject matter, but always with a singular intensity and sense of heightened drama. Francisco de Zurbarán was a giant of 17th-century art, a proper master of the baroque, and this exhibition will be a serious art blockbuster.
Genuine Fake Premium Economy is at the ICA, London, to 5 July. Three millennial artists – Jenna Bliss, Buck Ellison and Jasmine Gregory – come together in this show at the ICA to try to make sense of how the hell any of us survived the 2008 financial crisis. How do we live, love, work and survive in a world of massive inequality and capitalist greed? Maybe the film, photography and painting here will provide answers.
Rose Finn-Kelcey is at Arts Collective, Northampton, to 1 August. Pioneering feminist performance conceptualist and Northampton native Rose Finn-Kelcey died in 2014. Her work dealt with ideas of architecture, spirituality, the domestic and the mundane, all with humour and biting satire. This show inaugurates the Art Collective complex, a brand new art space for Northampton.
Going out: Stage Lenny Henry is on tour to 3 November. First came the glut of stage shows based on classic sitcoms, now the comedy giants of the 80s and 90s are reliving their greatest hits. Following in Harry Enfield’s recent footsteps, the Comic Relief co-founder embarks on a tour that fuses standup with stories about his best-loved roles.
Sherlock Holmes is at Regent’s Park Open Air theatre, London, from 2 May to 6 June. In this new adventure, Sherlock’s world collapses into chaos with the arrival of an unknown woman and mysterious jewel at 221b Baker Street. It’s penned by Joel Horwood (The Ocean at the End of the Lane), directed by the always-mischievous Sean Holmes and stars Joshua James as Sherlock and Jyuddah Jaymes as Watson.
Sweat is at Citizens theatre, Glasgow, to 16 May and Royal Lyceum theatre, Edinburgh, 3 to 20 June. This co-production of Lynn Nottage’s Pulitzer-winning play is based on extensive interviews with the residents of Reading, Pennsylvania, where industrial decline is devastating the factory workers’ way of life.
Return to the Forest is at Aviva Studios, Manchester, 7 to 10 May and tours to 27 June. South African choreographer Gregory Maqoma reunites with puppetry company Theatre-Rites (following 2021’s The Global Playground) for a new show where a magical forest comes alive. Theatre-Rites, celebrating its 30th anniversary, has a great track record for creating imaginative, experimental kids’ theatre blending puppetry and dance.
Staying in: Streaming Legends is on Netflix from 2 May. With The Gold, Neil Forsyth turned one of Britain’s most notorious heists into a quality retro drama. Now he’s found inspiration in a more obscure crime story: an ambitious operation by undercover customs officers to stop the heroin trade. Steve Coogan, Tom Burke and Hayley Squires star.
Amandaland is on BBC iPlayer & BBC One from 6 May at 9pm. As a sitcom, Motherland was mostly about parenthood and a bit about class – its spin-off is mostly about class and a bit about parenthood. Having weathered humiliations involving campsite toilets and a celebrity chef, series two reunites us with Lucy Punch’s inveterate social climber.
Fallen is on ITVX from 3 May. American source material, a primarily British cast, German and Swiss producers and a Brazilian broadcaster: this adaptation of Lauren Kate’s inordinately successful YA romantasy fiction is the result of a dizzyingly globalised TV industry. Now the show – which won an international Emmy last year – finally airs in the UK.
Berlusconi – Condemned to Win is on BBC iPlayer & BBC Four from 5 May at 10pm. Everyone knows that Silvio Berlusconi parlayed his status as a media tycoon into a long career at the top of Italian politics. But this ESPN doc puts a lesser-known element of his empire under the microscope: examining how his ownership of AC Milan helped him become prime minister.
Staying in: Games Wax Heads is out 2 May on Xbox, PS5, PC and Switch. Ever fancied running a record shop, picking out recommendations and getting to know 100+ fictional bands? Well this grungy little game has invented all of this for your amusement.
inKonbini is out now on PC, Xbox, Switch and PS5. Alternatively, in 1990s Japan, here you are a college student who’s taken a job stacking shelves at one of the country’s squillions of quaint convenience stores. Sounds like a drudgery simulator, but things get more interesting as you get to know your customers.
Staying in: Albums Tori Amos – In Times of Dragons is out now. A metaphorical story based around a desperate fight for democracy in the face of a “billionaire Lizard Demon” forms the backbone of the 18th album by the US singer-songwriter. On the epic six-minute opener, Shush, Amos spotlights a coercive patriarchy, before eventually reaching a sense of hope on Stronger Together.
Kacey Musgraves – Middle of Nowhere is out now. The country music superstar attempts to settle into singledom on her seventh album. On the title track that means enjoying the freedom of being undefined, while a certain lack of intimacy (“ain’t nobody’s tool up in my shed”) is bemoaned on the playful single, Dry Spell.
Zara Larsson – Midnight Sun: Girls Trip is out now. Originally released last September, Zara Larsson’s excellent fifth album, Midnight Sun, was a surprising flop. Since then, however, she’s scored a US Top 10 single alongside PinkPantheress, and watched her 2015 bop Lush Life re-enter the charts worldwide. Hence this repack, with a remix album featuring a global roster of female guests.
American Football – American Football is out now. Seven years after their last album, also called American Football, the midwest emo quartet return with 10 more songs to cry to. Focusing on topics such as suicide, divorce and addiction, songs such as Bad Moons and No Feeling, with Turnstile’s Brendan Yates, make sadness seem quite pretty.
Staying in: Brain food Aadam Jacobs Archive is online. Chicago’s Aadam Jacobs is an obsessive chronicler of the city’s music scene and this fascinating archive features live recordings of early shows by the likes of Nirvana, Depeche Mode and Sonic Youth, plus contextual info.
Darknet Diaries is a podcast. Tech expert Jack Rhysider’s engrossing series analyses developments in the shadowy world of cybercrime, from the hacking groups destabilising national security to bot farms gaming the music charts.
The Safe Box is on BBC World Service on Tuesday at 8.06pm. Marking World Press Freedom Day, presenter Myra Anubi’s investigation into the French organisation Forbidden Stories explores how journalists continue the work of murdered colleagues.
Why this matters
PRISM scored this story 42/100 for interest.
Originally published by guardian
